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#1109627 added March 2, 2026 at 9:48am
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Brut Strength
This one, from Atlas Obscura, has been languishing in my pile for a very long time. Probably not since last July, when it was published, but it's been a while. So whatever reason I had for saving it, I don't remember what it was, other than my general appreciation for Brutalism, a much-maligned architectural style.
     These Monuments Showcase the Beauty of Brutalism  
Simplicity can be powerful in the right architect’s hands.

Now, a couple more disclaimer-type things: First, the article is a podcast transcript. I don't listen to podcasts. I'd rather read text. But if you're the other way around, I think there are links at the article. And second, my appreciation for Brutalism is a direct result of me being a function-over-form engineer who has worked in the concrete industry, not because I have a developed sense of aesthetics. Still, my favorite architecture is both functional and pretty
though of course, "pretty" is subjective.

Diana Hubbell: Whether or not you saw the movie The Brutalist, you’ve probably heard a lot about it.

This is literally the only place I've seen, or heard, anything about that movie.

In the film, Brutalist architecture serves as a metaphor for resilience and transformation.

I also appreciate metaphor.

Viewers of Brutalist architecture over the years have accused it of being drab and utilitarian. They’ve said these hulking concrete buildings looked more like fortresses. More than a few have accused them of being ugly. And while I can kind of see their point, there’s something powerful about these buildings when you consider them in the context they were made.

As I said, it's subjective. Thing is, there are a lot of ugly buildings around (there's one close to me which actually got the nickname "Big Ugly," and it's your classical colonial Virginia brick-with-white-trim, not Brutalist. We have a Brutalist building downtown, though. Used to house a spy agency. The blacked-out windows were uglier than the concrete framing them.

A couple years ago, I visited the Rothko Chapel in Houston, Texas, and it challenged my idea of what a church could be.

It's a building. It can be lots of things. We used to have a Catholic church around here with a very interesting design, including a rounded triangular shape (apparently representing the Trinity) and a reverse steeple. Yep, the ceiling dipped down in the middle, I guess to emphasize that God is coming "down" to Earth instead of people reaching "up" to God. Or something. I'm better at metaphor when it's written.

What was I doing in a Catholic church? I've been in lots of churches. Occupational hazard of having been a wedding photographer.

In true Brutalist fashion, it bears more resemblance to a bunker than a Gothic cathedral. The stark exterior is an irregular octagon done up in rose stucco.

I'm sure there was a religious reason for all of that, too. I just can't figure what it might have been.

It seems appropriate to me that the Rothko Chapel isn’t really a church in the traditional sense. Although the de Menils who commissioned it were devout Catholics, this place is non-denominational. Great art has the power to move anyone, regardless of their faith.

I think this may have been the bit that made me save this article. I find that last sentence to be true, at least for me. Once I see a great work of architecture or art, or hear music, it doesn't matter whether it had a religious, or spiritual, purpose to it; I just appreciate the artistry.

A handful of years after the Rothko Chapel was completed in the ’70s, another Brutalist structure was being built, this time on the other side of the world. Roxanne Hoorn brings us that story.

I mean, sure, another continent, but hardly the other side of the world.

Roxanne Hoorn: Shrouded by the forest and perched on a sloping hillside in northwest Bosnia and Herzegovina sits a massive marble structure. Split down the middle, its two towering concave walls reaching as high as a basketball court is long. They curve inward, reaching for one another, shadowing the two-story atrium between them.

One of my failings as a writer is that it's hard for me to do descriptions like this. So I appreciate them when I see them.

Still, I'm a little unclear on how marble fits into the Brutalist category.

There's more at the link, including the history behind this second structure. It makes me want to see the things, which I suppose is the whole point of AO (I used that site to help guide my European visit a couple years back). But mostly, I just wanted to cast (pun intended) another vote in favor of Brutalism.

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