|
About This Author
Come closer.
|
Complex Numbers
Complex Numbers
A complex number is expressed in the standard form a + bi, where a and b are real numbers and i is defined by i^2 = -1 (that is, i is the square root of -1). For example, 3 + 2i is a complex number.
The bi term is often referred to as an imaginary number (though this may be misleading, as it is no more "imaginary" than the symbolic abstractions we know as the "real" numbers). Thus, every complex number has a real part, a, and an imaginary part, bi.
Complex numbers are often represented on a graph known as the "complex plane," where the horizontal axis represents the infinity of real numbers, and the vertical axis represents the infinity of imaginary numbers. Thus, each complex number has a unique representation on the complex plane: some closer to real; others, more imaginary. If a = b, the number is equal parts real and imaginary.
Very simple transformations applied to numbers in the complex plane can lead to fractal structures of enormous intricacy and astonishing beauty.
February 11, 2007 at 8:45pm February 11, 2007 at 8:45pm
| |
This week's Fiction Writing class reading was two short stories: one by Ann Beattie (I'm not sure whether that's because the teacher thinks Beattie's any good, or because she's the UVA English department chair) and the other by Raymond Carver.
I guess the mistake I made in reading them was expecting something to happen - because nothing did, except a bunch of neurotic people made small talk with each other.
It's pretty bad when I'm reading two stories by authors known for their sparse, brief styles and I find myself skipping over whole paragraphs. Because I was reading for class, I forced myself to go back and read the boring parts.
More, there were no great revelations, no AHA! moments, no epic conflicts (hardly any conflict at all, and I'm being generous in assuming that two people talking at cross purposes represents "conflict") There was a lot of characterization, good dialogue and scene-setting.
But here's the thing: there's no fucking POINT in setting a scene, writing breezy dialogue, or developing a character if all that character is going to do is sit around being neurotic!
This is what I'm supposed to be looking up to? This is the style I'm supposed to emulate if I'm to achieve my goal of getting published? I expect I could do it - come up with vapid characters and have them drinking tea with each other while talking about flowers - given some more practice, but now I'm not sure I want to.
So what's the point?
(It just came to me - have the aforementioned tea party be disrupted by a horde of zombies (little metaphor there) or tentacled space aliens. Whomever is left after the carnage can spend the last three paragraphs frantically searching for the tea bags, only to find there's no hot water left...) |
© Copyright 2025 Robert Waltz (UN: cathartes02 at Writing.Com). All rights reserved. Robert Waltz has granted InkSpot.Com, its affiliates and its syndicates non-exclusive rights to display this work.
|