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Why I Write
When I write, I draw on my experiences as a woman with a painful past, a rapturous wife and mother, a world traveler, and a spiritualist. For me, writing is an art form. Like an artist, the work becomes more than I imagined it would be. When I set out to write a story with a particular idea or character in mind, words I cannot claim as my own flow from a magical and mysterious place through me and onto paper. The work takes on a life of its own; it is living art. The process fascinates me, satiates me, and makes my life more meaningful.
Please read my stories! If you would like to offer me feedback on my work, please click here and sign up for a free membership: https://heftynicki.Writing.com
I hope to see you there!
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Blog, Blog, Blog
 
Welcome!
 In 2011, my main focus will be on writing a novel. Since I'm a novice novelist, I've decided to come at the project from different angles, exploring the genre and experimenting with its elements. This blog and its offsite sister blog will be my journals where I attack novel-writing one day at a time.
As I was creating my BlogSpot page, the inspiration for the blog solidified in my mind. I named that blog "One Significant Moment at a Time." In essence, I want to use the format as a reminder to walk through my life with my author's eyes open, taking in the details, feeling the emotions of the day. As moments unfold and I feel their affects on me as a person, a woman, a mother, a sister, a member of the world community, I'll let the writer in me talk about it.
Creative Nonfiction is the genre most fitting to describe what I envision accomplishing here, moreso than blogging or journaling. The style is best suited, I feel, for my ambitions as a novelist.
In addition, Friday entries will not be written by me. Instead, I'll turn the keyboard over to one of the characters in my novel. He or she will relate the events of the day as s/he saw them, through the filter of his or her perception.
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2011 Reading Goal = 25 Books in 52 Weeks. To see the list of books I've read so far, CLICK HERE 
 Leave me a comment anytime ~ even on older postings!
Thanks for reading!!
March 18, 2010 at 12:28pm March 18, 2010 at 12:28pm
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We've heard a quilt is a metaphor for life so many times that it's become cliché. And I try to avoid using clichés...so I'll put on it my own twist and use it anyways to explain why I'm struggling so much with my WIP.
The quilt pictured below was the first I'd ever attempted, my debut textile project. As you can see, I didn't start out sewing a small, crib-size quilt with a simple four-block pattern. Instead, I chose a complicated nine-patch block, of which five patches were constructed from tiny triangles. I never considered a crib quilt -- I skipped right to queen size. And, I added to the original pattern, creating two additional borders (the skinny yellow border and the border that's a single row of stars were my ideas). As I struggled with my WIP outline this week, I realized that my creative methods are the same, regardless of the medium I'm working with. It's surely a mild form of arrogance, or perhaps an inability to know my own boundaries, but I've never been able to accept myself as a novice.
Short stories are easier for me to write. I'm comfortable dealing with one significant moment in time. Transitioning to the format of a novel is brand new territory for me. But like my big fat first quilt project, I've thrown myself into the deep end of the creative pool.
Rather than construct a linear plot that fits into a basic three act formula, I'm working with two distinct storylines. Two strangers, dealing with the conflicts in their lives, are fated to cross paths after a computer-generated phone call puts them on a collision course. Their lives don't intersect until midway through the book. Until then, chapters go back and forth, sometimes narrated by one character in one part of the country, and other times narrated by the other in a different city, so that the reader understands and sympathizes with both by the time they arrive at their crossroad.
I've struggled with tying their two separate experiences together. I'm worried the book will come across fractual, with odd patchwork pieces that don't fit together. My answer to this quandary is theme. Both characters, as different as their circumstances and as polar opposite as they are on the morality scale, are connected by the theme(s) I'm exploring throughout the book.
A novice novelist? Me? (*chuckles condescendingly, as if to herself*) You must have me confused with someone who doesn't know what she's doing.
Do you ever feel like your creative ideas exceed your skills? Do you think big and then scale down? Or does your confidence grow as you write, so that your end result is more successful than you imagined it'd be?
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For me, the characteristic that sets an author's writing above the others is a strong descriptive voice. Descriptions captivate me when they flow like water down the riverbed of a story. I want to be pulled into the characters' world through all five of my senses, until my imagination is alive in their reality.
I aspire to write what I'd want to read.
One of the masters of literary fiction was Truman Capote. His penchant for prolific prose was astounding, and his rich descriptions permeate his short stories, novellas, and novels. I'd looked forward to reading Breakfast at Tiffany's this week (the local library's copy was checked out), but settled on a collection of short stories based on Capote's childhood. Here is an excerpt from A Christmas Memory that illustrates perfectly why I admire Capote's descriptive genuis:
Silently, wallowing in the pleasures of conspiracy, we take the bead purse from its secret place and spill its contents on the scrap quilt. Dollar bills, tightly rolled and green as May buds. Somber fifty-cent pieces, heavy enough to weight a dead man's eyes. Lovely dimes, the liveliest coin, the one that really jingles. Nickels and quarters, worn smooth as creek pebbles. Bost mostly a hateful heap of bitter-odored pennies. Last summer, others in the house contracted us a penny for every twenty-five flies we killed. Oh, the carnage of August: the flies that flew to heaven! Yet it was not work in which we took pride. And, as we sit counting pennies, it is as though we were back tabulating dead flies. (Truman Capote, A Christmas Memory , page 10)
The poetic descriptions for the various pieces of money not only held my attention, but they brought the narrating character into sharper focus. Clearly, the narrator was not a city dweller. Only a country boy would see springtime buds in rolled dollar bills or equate worn coins with the smoothness of water-eroded stones. The narrator was not wealthy in the traditional sense, otherwise he wouldn't have kept coins hidden in a beaded purse, had a scrap quilt on the bed, or accepted a job paying only a penny per twenty-five dead flies. We're shown so much in such a short paragraph.
When I read his work, I glean a lesson in creative writing in every paragraph of a Capote story.
Who are your author champions, the writers who exemplify what you'd like to achieve in your own work?
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Literary Fiction is often thought of as a catch-all genre for writing that doesn’t fit comfortably into easily designated genres like chick lit, mystery, science fiction, political drama, speculative fiction, etc. Most people define works of Literary Fiction with phrases like: “provocative writing with heavier language and lush descriptions”; “complex character-driven plots”; “leaves a deep, powerful impression on the reader”; and “multilayered novels that wrestle with universal dilemmas.”
I consider myself a Literary Fiction writer because of the characteristics that naturally arise in my work. I’m drawn to the complexities of a character’s personality, and my focus is foremost on the inner conflicts pulling the person in opposing directions. My writing style tends to include desciptive language that shows more than tells, and I like to indulge in literary devices. Also, I want my work to say something. Usually, I don’t start a story with a character or plot idea. Instead, a theme forms in my mind and the story becomes a vehicle to deliver that theme.
My greatest challenges within the genre are coming up with interesting plots to support my characters’ journey of self-discovery, and finessing my writing so the tone and language aren’t pretentious or convoluted. Many of my rewrites concentrate on voice and making the writing sound poetic and beautiful instead of grandiose and ostentatious.
Goodreads.com defines literary fiction as: "serious fiction with claims to literary merit, and focuses more on style, psychological depth, and character. (As opposed to genre or popular fiction)." Here are the top ten Literary Fiction novels, as determined by that site members' votes. Are any of your favorites here?
To Kill a Mockingbird -- Harper Lee
The Catcher in the Rye -- J.D. Salinger
The Power of Persuasion -- Shelagh Watkins
Crime and Punishment -- Fyodor Dostoevsky
Jane Eyre -- Charlotte Brontë
Lord of the Flies -- William Golding
Gone With the Wind -- Margaret Mitchell
The Lion, the Witch and the Wardrobe -- C.S. Lewis
Memoirs of a Geisha -- Arthur Golden
One Hundred Years of Solitude -- Gabriel García Márquez
To read the entire list of the top 100 member picks, click HERE .
I enjoy experimenting outside the genre of Literary Fiction and have written short stories that include Horror, Speculative Fiction, Erotica, Action/Adventure, and Comedy. Even then, I noticed an aura of Literary Fiction aglow in each story. It's definitely true that an author's voice is as unique as her fingerprint, and its evidence can be found on everything she touches.
Do you experiment outside your genre? Can you still hear your author's voice loud and clear?
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It's been a while since I wrote anything I'm proud of. Working hard right now so I won't be able to say that anymore! Hope your week's off to a great start. Thinking of you!!! 
Comment 
~Noelle 
~
Where'd Ashy go??)~
